Five modern masters discuss new approaches to jazz guitar through the lens of Paul Motian's music. Ben Monder, Steve Cardenas (both Motian alumni), Vic Juris, Liberty Ellman, and Joel Harrison will talk about comping, ensemble playing, linear improvisation, band-leading, electronics, philosophy, and more, using Paul Motian's singular opus as a starting point. All levels invited.

Nels Cline will demonstrate how he achieves his unique sound world where all conceivable musical roads converge. This is Cline's first such class in New York City. All levels invited.

When drummer, bandleader, and composer Paul Motian died at age 80 in the autumn of 2011, it was, for jazz critic Steve Futterman writing inThe New Yorker, “like waking to find that your favorite neighborhood bookstore—the one that stocked the edgy stuff that no one else would touch—had closed overnight.” Motian’s music lives on in duo performances bySteve Cardenas and Jacob Sacks,Ben Monder and Bill McHenry (Motian band alums) Gilad Hekselman and Jeff Ballard,Brandon Ross and Stomu Takeishi,Vic Juris andMary Halvorson, theNels Cline & Julian Lage Duo, andJoel Harrison and Tyshawn Sorey.

"Feel the Noise!" – curated by Joel Harrison.

An evening of trios that explore evolving concepts of rhythm, curated by Joel Harrison.

The West African-inspired Asheville, North Carolina-based ensembleToubab Kreweplays Malian-accented world-pop that’s imbued with laconic, Southeastern minimalism. Their cross-cultural flair will take a turn to the East as the band premieres an original score to Japanese directorYasujirô Ozu’s boisterous 1932 comedyI Was Born, but…. Two young brothers, outsiders in a new town, skip school to dodge a bully and fret over their father’s lowly social standing as an office clerk.

Formerly lead guitarist with The Black Crowes and current front-man for North Mississippi Allstars, Memphis-bornLuther Dickinsondeploys his aggressively Southern sensibility toWalter Ruttman’s 1927 documentary portrait of a Berlin long gone by, Berlin: Symphony of a Great City. A painter and a chamber musician before becoming a filmmaker, Ruttman cast an impressionistic eye over a single day-into-night of life observed in the German capital.

The extraordinary Brazilian guitarist/singerBadi Assadpremieres her score for one of the best-known films of China's cinematic golden age:Wu Yonggang’s 1934 debutThe Goddess, the story of a prostitute working the seamy streets of Shanghai to afford an education for her young son.

“Marc Ribotdid such a fabulous job with Chaplin's classicThe Kidat the 2010 Festival,” NYGF Founder David Spelman remembers, “bringing out not just the humor, but the deep humanity of the film, that I knew we wanted to have him back, but this time with a film that might summon up an even wider emotional palette.” This season, Ribot returns with a new score for Joseph von Sternberg’s passionate 1928 dramaThe Docks of New York, which tells the New York waterfront story of a boiler room stoker’s romance with a suicidal dance-hall girl. Ribot has frequently collaborated with Tom Waits and John Zorn; his most recent band is the trio Ceramic Dog.

FREE for the first time in our Festival's history, this six-hour Marathon (taking place on MLK Day) celebrates the classical guitar in North and South America, contrasting rich traditions with bold experimentation.

Pepe Romero’s distinguished career, both as a solo performer and charter member of the "Royal Family of the Guitar," encompasses some 60 albums, multiple White House invitations, Carnegie Hall concerts, and world premieres by Rodrigo and Moreno Torroba, in addition to receiving a Knighthood by King Juan Carlos I of Spain. This New York Guitar Festival appearance marks Romero’sfirst ever all-Bach recital in New York. Touring the world in celebration of his 70th year, Romero will givehis only New York concert this seasonat the New York Guitar Festival.