This past weekend, I played two of the most spectacular venues in the world within the span of 24 hours.  It all started in London, on Friday night.  I’d been on tour as the support act for my favorite punk rock icon, Iggy Pop.  London was my last date on the tour and our show that evening was at the legendary Royal Albert Hall.

Listening to music can be an emotional experience that stirs you to sadness, joy or exhilaration. Music can also take you on a stimulating intellectual journey that has you appreciating form, structure, history and cultural idioms. However, music is perhaps most magical when it is both emotionally engaging and intellectually provocative. Dom Flemons’s brand ofold-timey folk musicfalls into this more magical realm.

For most, Valerie June’s success to date seems meteoric. This Southern gal from Jackson, Tennessee has already wowed British audiences on the legendary music show “Later… with Jools Holland”, an iconic musical program that has showcased everyone from Paul McCartney to Björk. She sang a duet withEric Church at the American Country Music Awardsin 2013. She, along with her distinctive dreadlocked mane, has enjoyed features in countless magazines, including the coveted September issue ofVoguemagazine andO: The Oprah Winfrey Magazine, as well as serious features on NPR’sAll Things Considered,Fresh Airwith Terry Gross andTiny Desk Concert. And, her last and much talked about 2013 debut albumPushin’ Against the Stone, was the creative product of her collaboration with Dan Auerbach of the Black Keys and record producer Kevin Augunas.

As we prepare for the ‘Audible Cloisters’ marathon in May we hope to give all the artists involved an opportunity to share their thoughts and opinions about their lives in music and provide a greater insight for our audience. We are kicking off this series of interviews with the brilliant guitarist,Dylan Carlson. For the better part of 30 years Carlson has been the frontman of the drone metal band, Earth. He has subsequently gone on to cultivate a unique style blending a visceral, raw aesthetic with an almost penitent improvisational simplicity. We conducted this interview through email and, like his music, his words seem to pour fourth - devoid of capitalization, salient in their content, and showing intensity in a variety of different subjects. We are very excited to present this lens into a man that can appear a little elusive and the music behind him.

This year, we asked musicians to fill out a page in our 2014 digital scrapbook (crayons and colored pens provided). The results are fascinating--- see this fun assortment of Q&A's from your favorite artists at the New York Guitar Festival:

William Kanengiser:I’m sitting here with the great maestro Pepe Romero, discussing his All-Bach recital on January 10 that will kick off the 2014 New York Guitar Festival. Pepe, quite a few years ago, you did a series of All-Bach recitals; is this one at the Brookfield Place Winter Garden the first one in a long time?

A Conversation with lutenist Paul O’dette

The New York Guitar Festival commissioned Bon Iver’s Justin Vernon and Collections of Colonies of Bees’ Chris Rosenau to create new scores to two of Charlie Chaplin’s classic short silent films. They perform the scores live at Merkin Concert Hall on Thursday, January 21st, as part of our Silent Films/Live Guitars series.