Building on last year’s sold-out event, the New York Guitar Festival and WNYC’s New Sounds present a four-week series that features a diverse cast of guitar slingers performing newly commissioned works and special collaborations.  The festival will take over The Greene Space stage every Thursday evening, from May 18 to June 8, featuring multiple short sets and onstage interviews with New Sounds hostJohn Schaefer.

Building on last year’s sold-out event, the New York Guitar Festival and WNYC’s New Sounds present a four-week series that features a diverse cast of guitar slingers performing newly commissioned works and special collaborations.  The festival will take over The Greene Space stage every Thursday evening, from May 18 to June 8, featuring multiple short sets and onstage interviews with New Sounds hostJohn Schaefer.

Building on last year’s sold-out event, the New York Guitar Festival and WNYC’s New Sounds present a four-week series that features a diverse cast of guitar slingers performing newly commissioned works and special collaborations. The festival will take over The Greene Space stage every Thursday evening, from May 18 to June 8, featuring multiple short sets and onstage interviews with New Sounds hostJohn Schaefer.

The Life of a Luthier: How visibility can create the next generation of guitar builders. Local repair women and luthiers Rachel Rosenkrantz, Mamie Minchand and Chloe Swantner discuss their experiences in starting, maintaining and inspiring the humble career of guitar building. Moderated by Fabi Reyna, founder and editor-in-chief ofShe Shreds Magazine.

The Ruts of Performance: Guitarists Mirah Yom Tov Zeitlyn, Erika Anderson (EMA) and Ava Mendoza share and explain their methods of moving past creative walls. Moderated by Fabi Reyna, founder and editor-in-chief ofShe Shreds Magazine.

The guitar is still an instrument most often associated with guys.Fabi Reynawants to change that. Not just by being a badass guitarist herself, but by creating a place where the ever-growing community of female guitarists can learn from and support each other. That place isShe Shredsmagazine, which she founded and which celebrates women, and girls (Fabi is an alumna of the Rock Camp For Girls), who play guitar or bass and who totally rock. Literally and figuratively.

The world is full of great guitarists, and India is full of gifted classical musicians. But in both worlds,Debashish Bhattacharyacuts a singular figure. Playing a specially-designed slide guitar, he has made his instrument an extraordinarily versatile and emotive purveyor of India's ancient raga tradition, while attracting fans from around the world. He'll talk withJohn Schaeferabout feeling at home between musical worlds.

Sharon Isbinhas been at the forefront of the classical guitar world for over 40 years. More than a virtuoso, she has commissioned more new concertos than any other guitarist, including a major new work by John Corigliano. And she has a long history of performing with leading Brazilian and jazz musicians as well. Truly the First Lady Of The Guitar, she talks withJohn Schaeferabout a career that has sent her from Italy as a young girl to the White House in 2009.

It’s a first in Festival history: A marathon devoted entirely to... ragas! The Winter Garden at Brookfield Place will host thisFREE-ADMISSIONall-day event. In Hindustani classical music, melodies and modalities are thought to reach full potency at a particular hour, in tune with the Earth on its axis. OnFriday, May 19, ragas will flow from morning until midnight atBrookfield Place’s Winter Garden. At 8 AM, Debashish Bhattacharya, one of the world’s pre-eminent slide guitarists, begins the Marathon with a raga specifically for early morning. At noon, the sarodist Anupam Shobhakar performs a raga made for midday; at 5 PM, a power trio of guitarist Gyan Riley, sitarist Krishna Bhatt, and percussionist Dan Weiss takes over with an early evening raga; and Bhattacharya returns at 7.

It’s 2016. I’m at Heathrow right now, flying back to South Africa having enjoyed my fourth visit to New York in just three years. But, this visit was very different.

This past weekend, I played two of the most spectacular venues in the world within the span of 24 hours.  It all started in London, on Friday night.  I’d been on tour as the support act for my favorite punk rock icon, Iggy Pop.  London was my last date on the tour and our show that evening was at the legendary Royal Albert Hall.

This is the 6th year of the Alternative Guitar Summit, but it still feels brand new. There seem to be brilliant guitarists everywhere that are finding new roads into our imaginations.

South African guitarist Derek Gripper is the kind of musician who makes painstakingly difficult technique sound like the product of effortless musicianship and adventurous curiosity. Though he trained a classical violinist, he is perhaps best known for transcribing music played on the 21-stringkorainstrument from West Africa and arranging it for guitar. Last year, he presented aTEDx talkabout his work and we strongly encourage you to check it out. This week, we chatted with Derek about his journey from violins to guitar, sojourn full of detours to places like India and Mali and composers like Bach and Toumani Diabaté.

An evening of music and conversation with Rez Abbasi, Derek Gripper, Kaki King and Glenn Jones. Hosted by WNYC New Sounds' John Schaefer.

Creation: A panel discussion on trends in composition,  commissioning,  performing and publishing new music for classical guitar. FeaturingRobert Cuckson,Marco CappelliandAndrew McKenna Lee. Moderated byMichael NewmanandLaura Oltman, of the Newman Oltman Duo.

Renowned luthierSaul Kollwill present a keynote talk about his guitars and design process. Koll is known both for his ‘Glide’ electric guitars, which hybridize many attributes of classic instruments, and his innovative custom instruments, the RE 7 and 8 String ergonomic archtop jazz guitars, played by artists such as David Torn, Elliot Sharp, Bill Frisell, and Lee Ranaldo. Q&A with the audience will follow the talk.

In recent decades an increasing number of luthiers have addressed the challenges surrounding ergonomic guitar design. Shape, weight and playability are part of this; the greater availability of new materials and manufacturing processes have played a substantial role also as builders use carbon fiber, synthetic materials, laminates and aerospace glues, and CNC milling machines for fabrication. Some controversy surrounds these instruments, as some players enthusiastically adopt them and praise sound and playability while other guitarist insist on more ‘traditional’ forms and materials. The discussion will address these questions, and more- and include demonstrations of some ergo instruments.

A discussion on American Primitive presented by Tompkins Square, featuringDon Bikoff,Jeff Conklinand and moderated byKid Millions.The Tompkins Square Label has released many essential recordings by first-gen cosmic guitar players like Harry Taussig, Michael Chapman, Peter Walker and Max Ochs, as well as young gun slingers in the medium such as Chris Forsyth, Daniel Bachman and Ryley Walker.

Liberty Ellman, Grey McMurray and Gyan Riley in conversation with Alternative Guitar Summit founder/curator Joel Harrison. A loose, wide-ranging discussion on the incredible breadth of guitar styles and approaches that have proliferated in new music and jazz in the 21st century.

A presentation byNigel Northon the instrument, tuning, tablatures, and music that a lutenist lived with 350 years ago.