Our friend Tim Brookes, author of Guitar: An American Life, poses the question on every guitar fan’s mind. Who was, or is, the greatest guitarist of all time? Or can that question really be answered in a meaningful and thoughtful way? Inquiring minds want to know…

Over the years we’ve had the privilege of working with some terrific designers, including Jason Munn, Milton Glaser and Alex Coulter. Here are a few of our favorite posters. If you’d like to learn more about their work, please visit their websites:

On Sunday, September 8th, the New York Times published an article by Allan Kozinn about our upcoming all-Bach marathon concert taking place in January. You can read the full storyhere, and tickets are availablehere.

In September we wrapped ELLNORA | The Guitar Festival, our biennial “sister festival” previously known as Wall to Wall Guitar Festival, held at the University of Illinois’ acclaimed Krannert Center for the Performing Arts. The three-day event included more than 30 world-class artists, including Bill Frisell, The National, the Brazilian Guitar Quartet, Alex De Grassi, Ani Di Franco, Junior Brown, and more, plus the world premiere of “The Long Count,” a multi-disciplinary piece featuring visual artist Matthew Ritchie and members of The National, the Pixies and My Brightest Diamond (which had its NYC debut this past week at the Brooklyn Academy of Music).

ELLNORA | The Guitar Festival (the biennial event previously known as Wall to Wall Guitar Festival), held September 10-12, 2009 at the University of Illinois’ Krannert Center for the Performing Arts, wrapped up its third successful event with more than 30 world-class guitarists - including 11 free performances - over three days.

Every other year, some of the world’s most distinctive guitar players gather in New York City to celebrate the New York Guitar Festival with a series of intimate concerts and one-of-a-kind collaborations. To open the 2008 New York Guitar Festival, more than 20 artists assembled at the World Financial Center’s Winter Garden to honor the music of Bob Dylan by recreating his famed 1966 “Royal Albert Hall” concert. (The original Dylan show actually took place May 16, 1966, in Manchester, England, not at the Royal Albert Hall in London but has become known as such through many old mislabeled vinyl bootlegs.) From Belle and Sebastian frontman Stevie Jackson to vocal powerhouse Toshi Reagon, the concert featured an eclectic lineup of some of today’s most talented guitarists and vocal standouts. Performing the show in sequence as Dylan did more than 40 years ago, the musicians treated the at-capacity crowd to an unforgettable interpretation of one of music’s most known and storied concerts.

The first annual Adelaide International Guitar Festival, inspired and assisted by the New York Guitar Festival, concluded on Sunday, December 2nd with an homage to Jimi Hendrix with over 4,000 people packed into Elder Park. With a line-up of many of the worlds most distinctive guitarists, it was a fitting end to an extraordinary musical feast.

The Adelaide Festival Centre, one of the leading performing arts centers in Australia, has strung together a spectacular new event, the inaugural Adelaide International Guitar Festival. The new ten day festival, November 23 – December 2, 2007, is inspired and assisted by the New York Guitar Festival. Over 100 musicians from around the world will converge on Adelaide to honour and celebrate the guitar in over 40 guitar centric events, spanning all music genres (blues, jazz, classical, experimental, blues & roots, world, and more...) The Festival will take place in various venues at the Adelaide Festival Centre and in Elder Park.

On January 18th we kicked off the first of a four-concert series at Merkin Concert Hall, with a tribute to the great "Mississippi" John Hurt. Below is an article from the New Jersey Star-Ledger about the series...and a review from The New York Times.

A few photos from our Nehemiah "Skip" James tribute that took place at Merkin Concert Hall on January 25th, 2006...

Our 2006 festival kicked off with a free concert celebrating the 25th anniversary of the classic Bruce Springsteen album, “Nebraska.” An amazing roster of artists (including a very special guest for the encore) joined us at the World Financial Center’s Winter Garden, to interpret the songs from The Boss’ sixth album.

On February 1st, the third of a four-part concert series at Merkin Concert Hall, paid tribute to the great Charley Patton. Below is an review from the New Jersey Star-Ledger...

On February 3rd, 2006, the New York Guitar Festival brought Daniel Lanois to Carnegie Hall to present his music and experimental film images. It was a magical performance — one of the festival’s highlights — and sold out weeks in advance. Below is a review that ran in the NY Press.

For guitar afficionados there is no better place to be in the first days of Autumn than New York City. For the past four years David Spelman, a protean guitar enthusiast, has presented a beguiling array of performances under the rubric of the New York Guitar Festival. This fall's festival, for instance, included a Baptist Blues frenzy of sacred pedal steel, tributes to fallen icons Jerry Garcia and George Harrison, an electric guitar quartet reading from dense scores, Andy Summers (of The Police) playing Brazilian tunes, and downtown polymath Elliot Sharp torturing an acoustic guitar in homage to John Fahey.

By popular request, we’re posting the repertoire that each performer played at our third biennial Guitar Marathon at the 92nd Street Y’s Kaufman Auditorium. Also, stay tuned, as we’ll be podcasting audio and video clips from the marathon on the iTunes music store as well.

The New York Guitar Festival 2006 launched its 2006 event by honoring Bruce Springsteen's 1982 Nebraska album with a free gala concert under the glass atrium of the World Financial Center Winter Garden on January 14th.

On January 25th, 2004 we held our second all-day guitar extravaganza. The marathon event brought together guitarists from around the world and received extensive media coverage. Below is a review that ran in the New York Times on January 30, 2004.